The Lazily Spun are: Matt Woolham - vocals, acoustic and electric guitars, percussion, soundscapes, sound manipulation, bike & bell Harry
Sumnall - bass, harmonium, guitars, q-chord, percussion, tamboura,
sitar, autoharp, gopichand, synthesisers, mellotron, sampling, sound
FX, soundscapes, theremin, bells & whistles James Pagella - drums and Ire~Sensi Wisdom Juan Bercial-Velez - lead guitar & ritual theremin-pole dancing
With
co-founding member Anshu Asthana (currently a London based freelance
designer), and exploding from a fluctuating free-lifestyle awash with
entheogens, the band crafted their sound based upon their love of far
out 60s psychedelia, contemporary psych-miscreants, mycology, and
studio trickery. Gigs i
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This
is another long OOP Lp from Voxx, that never reissued. Recorded in
Albuquerque, New Mexico and released in 1985 from Voxx (and Lolita in
Europe). The band (never seen performing live, as mentioned in "Knights
of Fuzz") maybe had the "curse of Voxx" i.e disbanding right after the
release of their album, or maybe was an one-off only project.
The
album kicks off with "Fly Tonight", a crazed garage track, followed by
the 6 minute-long title track, which speeds up and slowes down,
complete with an eastern scale solo from the Vox organ of the leader
Bob Fountain. The highlight is "She's so wild", another
speeding-slowing track, with a superb guitar-organ dialogue. The speedy
instrumental "Go-Go 85" closes the a-side.
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01-Imitation Situation 1 (Toccata And Fugue).mp3 02-Where Do You Go.mp3 03-San Franciscan Girls (Return Of The Native).mp3 04-Ninety-Nine And One-Half.mp3 05-Man Who Paints The Pictures.mp3 06-Filligree And Shadow.mp3 07-The Sun Also&nb
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Kings of Oblivion - Gotta Love Me/Only You To Blame/No Way To Be (Dionysus ID-074510) For the end here's some wild garage rock from Kings of Oblivion, a band from Los Angeles which appears on Dionysus site as "Detroit '68 meets LA '77". Their sound on this 1990 single reminds me of Jeff Dahl or the Lazy Cowgirls. Kings of Oblivion had some success (in Europe mainly), but now they've sank in oblivion.
Light hippie folkrock with great male/female harmonies, strong tracks and a general uplifting quality about it. Pressed in Canada but the group was from Marin County and had help from David Crosby , who even on coke knew good music when he heard it.
Although this album was pressed in Canada and lists no home base for the group on the cover, it is known that they were based in Marin County. The album, which is pop rock
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This record asks a post in my friend's Mystery Poster style: just the cover, the title and the link. But I'm afraid that even if the curius listener search for it, there's nothing to find. You see this LP released in Greece only, on Nate Starkman & Son Greece, in a limited edition of 500 numbered copies, and I don't know if anyone noticed it. The record came with an insert in the Indepented Project Records style (only this was in black with silver letters). As for the band, the only things I can tell you are these: they were a quartet from California and they may have sort of relation with Indepented Record/Nate Starman & Son chief Bruce Licher. Some of the tracks of this self-produced album released as an EP in the U.S., I presume in equaly limited quantity.
Cold Wisconsin Nights Rainbow in the Rain Prelude to Love Show Me How to Cry Crying Eyes and an Empty Heart Come on and Get It In the Late Afternoon Keeping Your Love Opus 1 Love Has Got Me Down
Richard Barcelona (Guitar/Vocals) Daniel Derda (Drums) Eddie Haddad (Organ/Piano/Vocals) Keith John (Guitar (Bass)
One of Texas' most revered psych bands, The Mike Gunn spent its 5 years of life keeping the forces that threatened to pull it apart at bay. Finally, with the mysterious disappearance of its beloved drummer, in 1994 the band relented to the inevitable chaos that threatened to consume it for so long. Born on the ashes of the legendary Houston Schlong Weasel, it included John Cramer (vocals, guitar), Tom Carter (vocals, guitar), Scott Grimm (bass), Curt Mackey (drums). Mike Gunn is the name of the Schlong Weasel musician who named the band but never played in it. The Mike Gunn put out a handful of now-hard-to-find releases, then broke up. Afterwards the former members went on to found DunLavy, Charalambides, Project Grimm, and are peripherally connected to the Linus Pauling Quartet. All are Texas-based psych bands of various styles. However, IMHO none have reached the
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1 Martin's Tune 2 Guitar Solo #1 3 Hard-Headed English General 4 WarChild Intro Tape 5 WarChild Suite 6 How Much Is That Doggy In The Window 7 Pop Goes The Weasel 8 Keyboard Instrumental 9 Instrumental #1 10 Instrumental #2 11 Guitar Solo #2 12 Finale 13 Beethoven's Ninth 14 Wardrobe Whopper 15 Pomp & Circumstance 16 Slipstream Intro
Ploughing the Boots Vol 2
1 Jams O'Donnell's Jig 2 Peggy's Pub 3 Trio 4 Reynard The Fox 5 The Swirling Pit 6 Barre's Folly 7 Vettese-Conway Instrumental 8 Level Pegging 9 Double Violin Concerto 10 Unknown Dreams 11 William Tull Overture 12 Tequila 13 The Girl From Ipanema 14 Machine Instrumental 15 Drowsy Maggie 16 Folk Instrumental 17 Nellie, The Revenge 18 Tanz 19 Guitar Solo
Ploughing the Boots Vol 3
1 I Wonder Who 2 Jam 3 Roots To Bells Intro 4 Dust Devils-She Moves Through The Fair 5 Dangle The Billies ... Read more »
Personnel: MARK BAKER drms A REALITY D. BLIPCROTCH vcls, perc A ROGER CRISSINGER keyb'ds A DONALD ENSSLIN gtr, banjo A FRANK TREVOR FEE bs A MARV GRANAT gtr, sitar, dulcimer A SARAH OPPENHEIM vcls, autoharp A LAURIE PAUL vcls, tampura A THEODORE TEIPEL flute, hrmnca, piano A
ALBUM: 1 ONE (Grunt FTR 1009) 1972 45: 1 Free Rain / One Of A Kind (Grunt 0509) 1972
This album is rather naive, but a precious document of the hippie community, mixing jazz with country and western, Eastern and renaissance sounds.
Roger Crissinger had earlier been in Pearls Before
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Tracklist 01 Movement 02 Give Him A Sip 'Cause His Mind's Messed Up' 03 Sand 04 Distended 05 Diminished Ideal 06 This Is The Big Tree 07 Cartwheels Of Glory 08 At Sea 09 Inattention 10 Interruptions 11 On The Beach 12 Bleached
Loved by those who were lucky to hear them.Formed in the early '80s by ex-Saccharine Trust drummer Rob Holzman and other hangers-on of the LA scene, they went on to release a string of stunning, evocative and highly individual records that still amaze today. There is truly no ot
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Aching Void - Swirling Colors/Voices (Rockadelic RR-106) Aching Void were a trio, possibly from N.Y. This single, released around 1989, on the cult Rockadelic label, is full of fuzz, that creeps in your brain. Here's the Lama review: The titles and band name promise some pretty hardcore neo-psych, and the A-side single delivers, from the heavily reverbed bass riffs to the incessant, spastic lead guitar to the sound effects on the vocals to the absurd scream that ends the verses. There’s a scattershot feel to this one, and it comes off as a random burst of wacked-out energy. The B-side is a bit slower, but has the same spaced out, crude feel to it (at one point it seems like the bass player or the drummer misses a cue), and plenty more of the fuzz guitar. Fun, indeed.
Note : We are slowly rebuilding our posts. We decided to use the original dates for the entries initially posted on the old Lost-In-Tyme, so, if you have our RSS enabled, you will not see everything appearing in the blog's main page. In this case you can search for it (at the right column) or you can visit our archives pages (the reposted entries have active links)
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