Tracks: 1 I Would Be The One 2 Speaking Of Dreams 3 Colour Her Sunshine 4 Phoebe 5 Aunt Violet's Knee 6 Coming Home Soon 7 Presenting Myself Lightly 8 Looking Glass 9 Beatrice 10 Girl Is Young
Yes,
Kensington Market were one of the most well-respected groups on the
scene in late-1960s Canada; yes, this album came out on a big label
(Warner Brothers); and yes, it was produced by a major figure, Felix
Pappalardi, then hot with Cream. This doesn't mean, though, that this
is anything more than a very ordinary late-1960s rock LP, leaning
towards the gentle pop/rock side without being too mainstream. In
keeping with the times, a lot of attention was paid to varying the
styles and arrangements, from airy-fairy pop-psychedelia ("Looking
Glass") and jugbandish good-time rock with echoes of the Lovin'
Spoonful ("Beatrice") to folk-rock-pop ("Speaking of Dreams" is rather
like 1966-1967 Elektra-produced folk-rock with a poppier slant) and
somberly orchestrated, introspective tunes that never lost sight of pop
harmonies and vague psychedelic sentiments. The tunes just weren't
outstanding, though, from either vocal or compositional perspectives,
and the group didn't have a personality to set them apart from much
similar middling pop/rock on the market in 1968. Kensington Market were
artier, more ambitious, and somewhat more melancholic than the typical
good-time group of the era, but not so much so that the album demands
rediscovery. ~by Richie Unterberger
Kensington Market - 1969 - Aardvark
Tracks: 1 Help Me 2 If It Is Love 3 I Know You 4 The Thinker 5 Half Closed Eyes 6 Said I Could Be Happy 7 Ciao 8 Ow-ing Man 9 Side I Am 10 Think About The Times 11 Have You Come To See 12 Cartoon 13 Dorian
Keith McKie - Lead Vocals, Rhythm Guitar (1967-1969) Alex Darou - Bass Guitar (1967-1969) Jimmy Watson - Drums, Percussion, Sitar(recording only) (1967-1969) Eugene Martynec - Lead Guitar, Piano (1967-1969) Luke Gibson - Backup Vocals, Rhythm Guitar, Harmonica (1967-1969) John Mills-Cockell - Synthesizer (1969)
Bio : Kensington
Market was a Toronto, Canada based rock band, active from 1967-1969.
Named after a downtown Toronto neighbourhood, it was formed by
singer/songwriter and guitarist Keith McKie (born November 20, 1947 in
St Albans, England, immigrated to Canada in April 1953), formely with
The Vendettas, with guitarist and pianist Eugene Martynec (born March
28, 1947 in Germany) from Bobby Kris & The Imperials. The original
line up was completed with former Vendettas' bass player Alex Darou
(born January 6, 1943 in Sault St. Marie, Ontario) and drummer Jimmy
Watson (born August 23, 1950, Belfast, Northern Ireland). Former Luke
& The Apostles frontman, singer/songwriter Luke Gibson (born
November 5, 1946 in Toronto) was added later in 1967, and the
synthesizer player John Mills-Cockell (born May 19, 1943 in Toronto)
was a member in 1969.
Brought together around May 1967 by
musical entrepreneur Bernie Finkelstein, the Market debuted at the
Night Owl on June 4 and performed initially in Toronto coffeehouses
like the Red Gas Room and high schools. In mid-August, after the
dissolution of "Luke And The Apostles", the Market recruited Luke
Gibson by which time they had already released two singles for Stone
Records. These singles achieved minimal success but Finkelstein was
able to sign them to Warner Brothers in New York City. In 1968, the
Market did the soundtrack to the NFB film "The Ernie Game." Later that
year, they released the album Avenue Road(Produced by Felix
Pappalardi), followed by a tour of the United States. In 1969,
keyboardist John Mills-Cockell joined, and their follow-up, 'Aardvark',
was released, once again produced by Pappalardi, followed by their
second US tour. However, this wasn't done in enough time to save the
splintering band who split that same year.