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Harvey 'the snake' Mandel - Live At The Matrix Club - Frisco 1968
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Harvey 'the snake' Mandel - Live At The Matrix Club - Frisco 1968
Harvey
Mandel became the original guitarist with Charlie Musselwhite,
releasing the debut album Stand Back! in 1966. As a result of heavy
airplay in San Francisco, they were invited to play The Fillmore by
Bill Graham. Mandel moved to the Bay Area, regularly performing at the
infamous club "The Matrix", where local favorites like Jerry Garcia,
Elvin Bishop and Jefferson Airplane would sit in and jam.
On meeting
the record producer Abe Kesh, Mandel was able to release his first solo
album for Mercury Records entitled, Cristo Redentor in 1968, which
included his version of "Wade in the Water."
In July 1969 he
replaced Henry Vestine as lead guitarist in the blues band Canned Heat.
Harvey remained with Canned Heat for nine months (until April 1970)
with slide guitarist/vocalist Alan Wilson and singer Bob "The Bear"
Hite. The custom of Canned Heat suggested that each member of the band
acquired a nickname upon joining the band. Harvey's nickname, "The
Snake," was given to him years before by keyboardist Barry Goldberg in
Chicago (attributed to his cracked leather jacket and "snake-like
guitar licks"). After several tours and three albums, including Future
Blues, he was recruited by British bluesman John Mayall to be a member
of the Bluesbreakers, recording the album, entitled USA Union together.
The
band featured Mandel with Canned Heat bassist Larry "The Mole" Taylor,
and violinist Don "Sugarcane" Harris. Mandel also appeared on another
significant Mayall album, Back To The Roots, on which Eric Clapton and
Mick Taylor also guested. He also toured with Taylor and Harris under
the name "Pure Food and Drug Act" and released one album before Harris
was assaulted, effectively ending his career.
He resumed his solo
career, releasing several more albums for Janus Records in the 1970s
including Baby Batter, The Snake, and Shangrenade, the record where
Harvey employed 2-handed fretboard tapping. Mandel was one of the first
rock guitarists to utilize this technique, years before Eddie Van Halen
and Stanley Jordan.
One of Mandel's most significant session credits
was his participation on Black and Blue, the 1976 album by The Rolling
Stones. Following his stint with the Stones, he became a busy
session player, with groups such as Love and The Ventures, and opened
for Jeff Beck on his Canadian tour as a power trio with Jimmy Haslip,
bassist for The Yellowjackets. He relocated to Chicago in the late
1970s and continued to tour extensively, as well as supporting groups
such as Roxy Music. In 1980, Mandel relocated to Florida as a member of
the house band at Ron Wood's Miami nightclub, "Woody's," with Rolling
Stones attendant saxophonist, Bobby Keys. ~BlackCatBone - Standin' At The Crossroads diary magazine
In
the mold of Jeff Beck, Carlos Santana, and Mike Bloomfield, Mandel is
an extremely creative rock guitarist with heavy blues and jazz
influences. And like those guitarists, his vocal abilities are
basically nonexistent, though Mandel, unlike some similar musicians,
has always known this, and concentrated on recordings that are entirely
instrumental, or feature other singers. A minor figure most known for
auditioning unsuccessfully for the Rolling Stones, he recorded some
intriguing (though erratic) work on his own that anticipated some of
the better elements of jazz-rock fusion, showcasing his concise chops,
his command of a multitude of tone pedal controls, and an eclecticism
that found him working with string orchestras and country steel guitar
wizards. Mandel got his first toehold in the fertile Chicago white
blues-rock scene of the mid-'60s (which cultivated talents like Paul
Butterfield, Mike Bloomfield, and Steve Miller), and made his first
recordings as the lead guitarist for harmonica virtuoso Charlie
Musselwhite. Enticed to go solo by Blue Cheer producer Abe Kesh, Harvey
cut a couple of nearly wholly instrumental albums for Phillips in the
late '60s that were underground FM radio favorites, establishing him as
one of the most versatile young American guitar lions. He gained his
most recognition, though, not as a solo artist, but as a lead guitarist
for Canned Heat in 1969 and 1970, replacing Henry Vestine and appearing
with the band at Woodstock. Shortly afterward, he signed up for a stint
in John Mayall's band, just after the British bluesman had relocated to
California. Mandel unwisely decided to use a vocalist for his third and
least successful Philips album. After his term with Mayall (on USA
Union and Back to the Roots) had run its course, he resumed his solo
career, and also formed Pure Food & Drug Act with violinist Don
"Sugarcane" Harris (from the '50s R&B duo Don & Dewey), which
made several albums. In the mid-'70s, when the Rolling Stones were
looking for a replacement for Mick Taylor, Mandel auditioned for a spot
in the group; although he lost to Ron Wood, his guitar does appear on
two cuts on the Stones' 1976 album, Black & Blue. Recording
intermittently since then as a solo artist and a sessionman, his
influence on the contemporary scene is felt via the two-handed
fretboard tapping technique that he introduced on his 1973 album
Shangrenade, later employed by Eddie Van Halen, Stanley Jordan, and
Steve Vai. ~Richie Unterberger, All Music Guide