The Burning World is the sixth full-length album by the Swans. It was released in 1989 on MCA and was their only major label release. Produced by Bill Laswell.
From AMG:
Review by Ned Raggett
Swans' first major-label record, for Uni/MCA, turned out to be their last, and Gira especially has been bitter about the experience ever since; his commentary about the album often involves his anger over Uni's insistence on having noted New York musician Bill Laswell oversee the recording sessions (Gira himself states that he enjoys Laswell's work in general, and thinks Burning was a case where agreement over how best to work together simply wasn't there). Ultimately Burning sounds more like a compromised major label Laswell project than a Swans album, to its overall detriment. To be sure, Gira's complex, increasingly mythic and mystical lyrical images still retain their power, while his singing and Jarboe's still each have their own, often gripping appeal. However, Westberg's playing, whether b
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Love of Life is the eighth full-length studio album by the Swans. It was released in 1992 originally and also saw release as part of a limited edition with White Light From the Mouth of Infinity.
From AMG:
Review by Ned Raggett
Interspersed with a variety of instrumental pieces and loops which add nicely to the album's overall flow -- including a number of random interview clips which would become an even more central motif to the band's work in future albums -- Love of Life continues the astounding creative roll Swans found themselves on with White Light. As with that album, the group here consists first and foremost of Gira and Jarboe, with a variety of assisting performers: Westberg has finally left the picture entirely, leaving Steele as the new main guitarist, and interestingly enough, two long-time veterans return -- the rhythm section of Kizys and Parsons -- though other bassists and drummers perform on the album as well. Again, though, this is very much Gira and Jarboe's
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